Pe cand asa ceva si in Bucuresti?! Asta este cea mai importanta intrebare! De design, va rog, nici sa nu va mai mirati … Stiu ca multi dintre voi mergeti cel putin anual in concedii in afara tarii, deci ati mai vazut astfel de expresii urbane – amenajari dedicate pietonului, care incurajeaza pe oricine sa iasa din casa si sa isi petreaca macar 2 ore afara, in aer curat! Si la noi in Romania este acceptat iesitul la plimbare, cu precadere prin parcuri, dar numai daca „nu calcati iarba”! Foarte ciudat, avand in vedere ca cei care ne ordona acest lucru sunt ( general vorbind ) aceiasi cu cei care in clasele primare, la orele de botanica, ne invatau ca iarba este regenerabila ( altfel nu mai existau ierbivorele 🙂 )!
Priviti doar cat de interesant este spatiul amenajat aici: o sumedenie de trasee si locuri de sezut 🙂 de relaxare… cu un aspect foarte placut, clar conceput pentru placerea trecatorului. Eu zic ca noi ne-am multumi si cu niste astfel de piatete cu banci clasice, stiti voi care! acelea care costa exorbitant de mult (fiindca cineva are o afacere bine gandita cu statul roman) cu niste borduri de granit (alta afacere), dar unde, sa fie totusi loc pentru mai mult de 10 persoane odata si pe care sa le gasim, macar, la distante de 2 km departare unele de altele :). Ar fi ok si asa? Ce ziceti???
Atat pentru acum, ca sa nu mai intru aici in discutia: Unde naiba se mai joaca cei mici in vremurile astea?!
Lleida, February 23, 2011 – The large green open spaces that surround the Seu Vella Cathedral and dominate the whole city are the most beautiful public areas in Lleida, and are what we chose as our reference point. The designs for the new Ricard Viñes Square must possess some of this beauty. The focus of our proposal is to build a large green open space for a sculpture dedicated to the musician Ricard Viñes. A space full of little squares 0 5 10 cross section and green areas at a point where the city throngs with traffic and pedestrians. The maze or labyrinth provides an ancient model. The cultural meaning and interpretation of the symbol of the labyrinth run deep. The origin of the “labyr” part of the word has to do with rocks and stone, while the “inth” comes from a Greek word meaning foundation site. Even though the precise etymology is unclear, there was a time when path mapping was used to notate dance choreography.
We propose an open space featuring a dance floor with a labyrinthine path guiding the steps of those dancing the spring dance around the central feature – a feature that generates and guides the movement of the dance, filling the surround space with life. People and traffic will move differently in Ricard Viñes Square, where pedestrians will own the public space.
Everyone will follow the paths mapped by the dance notation, but with no overlap. Perhaps the closest reference to our design idea is Francesc Macia Square in Barcelona, in one of the busiest areas of the city, and at a key transit point in and out of the city. Other European cities are famous for the spectacular circles in their metropolises, such as the Etoile in Paris or Berlin’s Tiergarten with its famous column topped by an angel. In the UK, the architect John Wood created one of Bath’s most iconic features with the Royal Crescent whose circular green spaces control the flow, and substantially contribute to defining and propagating the city’s image. Circular spaces are not normally accessible and for this reason are often laid out as parks, regulating traffic flow and giving drivers a glimpse of the natural world.
We have designed a maze for the circular space in Calle Roure. We like incorporating the idea of a labyrinth into the idea of an entrance. The city entrance to Lleida is a new green gate. The project is made up of a circle and new square for the city:
1. The circle ends in a labyrinthine pattern, made up of bands of planting and brick paving.
2. The square is split up by green areas; a maze of trees and low shrubs that are visible from the roadway. This greenery helps organise the neighbourhood’s leisure activities with bars, children’s play areas, benches and pedestrian pathways. The two streets that feed into the square will be pedestrianised, using natural stone paving, and they will be softened by new tree planting and small green spaces which will punctuate the entrances to residential buildings. From one side of the circle a wide sculptural light source will illuminate the whole square, underlining both the idea of the community that inhabits a public space and the street party concept as a mark of collective identity. A new sculpture installed in the middle of the circle will become the landmark that makes this place stand out from the rest of the city.
Informatii proiect via arthitectural
Location: Lleida, Spain
Architect: EMBT | Enric Miralles – Benedetta Tagliabue
Surface: 9200 sqm
Material: concrete, rubber, granitic stone and grass / Bench – wood and metal frame
Project end date: November 2010
Client: Lleida City Hall
Lights: INCONEL – ILUCA
Metallic Structures: CALDELSA
Pavement: GLS, Spain, Bench (urban furniture) – MAGO
Gardening: Vivero Paraire, Spain – Glauca, Spain
Name of the main partners: Benedetta Tagliabue (Architect)
Chief Architects: Josep Ustrell, Daniel Rosselló
Photographers: Alex Gaultier, Elena Valles
Competition: First Prize, November 2007
Collaborators: Alessia Bettazzi, Alice Failla.
3D: Giuseppe Maria Fanara.
Preliminary Project 2007
Chief Architect: Josep Ustrell
Collaborators: Alessia Bettazzi, Ivan Grippaldi, Jose Manuel López Ujaque
Urban furniture: Mireia Soriano Alfara
3D: Armando Arteaga, Aylin Alfaro Montoya
Model: Gabriele Rotelli, Vanessa Tanguy, Barbara Asnaghi Gordillo
Executive project 2008-2010
Chief Architect: Josep Ustrell, Daniel Rossello
Collaborators: Ivan Grippaldi, Jose Manuel López Ujaque, Susana Osés Lana, Verena Vogler, Silvia Cama, Georgina Monica Lalli, Nataly Raab.
Model: Gabriele Rotelli, Ginette Gotti Carvajal
Chief Architect: Josep Ustrell, Daniel Rosselló
Collaborators: Susana Oses Lana, Francesca Origa, Francesc Mercadal, Ana Isabel Ferreira, Jack O’Kelly, Belén Callejas, Cinzia Oggianu